The Changing Realm of Latin Jazz

Trumpet - When many people think about Latin Jazz, a salsa dance party comes up, with hot dance rhythms charging behind jazz harmonies and improvised solos. This is actually looking after of the style - musicians like Tito Puente, Mongo Santamaria, Cal Tjader, and Ray Barretto have gotten people about the dance floor for a long time with jazz and Cuban rhythms.

Dance rhythms certainly hold a location in modern Latin Jazz, but a growing quantity of artists have abandoned the party area for various cultural and artistic influences. Today, many Latin Jazz musicians integrate rhythmic traditions from the broader spectrum from the Caribbean and South America, often blending cultural elements with modern jazz influences.

Jazz - Traditional Afro-Peruvian rhythms have played a big part in the expansion of Latin Jazz, bringing rhythmic styles like the festejo and landó into the style also a more guitar heavy approach. Guitarist Richie Zellon has combined these traditions with jazz harmonies extensively while trumpet player Gabriel Alegria has evolved a distinctive approach along with his Afro-Peruvian Sextet.

While stateside Latin Jazz always carried a Puerto Rican influence, it has only been recently that artists have convey a distinct emphasis upon the thought of traditional rhythms like bomba and plena supporting jazz contexts. Trombonist Papo Vazquez provides his ferocious command of bebop over Puerto Rican rhythms while saxophonist Miguel Zenón has dived deep into plena and classic Puerto Rican songs as a foundation for jazz.

Argentina has long been recognized for it's passionate tango, and many musicians have found that music is really a natural fit for jazz. Bassist Pablo Aslan has generated a unique language for improvising around tango structures while pianist Pablo Ziegler has continued the work of influential composer Astor Piazzolla with a distinct jazz twist.

Listeners often take into account the lush bossa novas of Antonio Carlos Jobim after they look at the blend of Brazilian rhythms and jazz, but the style has exploded into something a lot more dynamic. Pianist Jovino Santos Neto has produced upon his long tenure with composer Hermeto Pascoal and designed a highly creative repertoire of original Brazilian jazz while drummer Duduka Da Fonseca has blended the freedom behind a fresh York jazz sensibility with dynamic samba rhythms.

Trumpet - The oasis is obviously still part of Latin Jazz - just hear the background music of Poncho Sanchez or Pete Escovedo for any healthy dose of danceable jazz. The design and style has certainly expanded artistically, reflecting a more encompassing spectrum of Latin traditions and giving listeners a far more diverse experience.